Skip navigation

Monthly Archives: July 2016

I wrote this scene for Freshman fall quarter. This scene was just fun. It didn’t add anything to the novel, aside from being a call-back to his poem recital in junior high.


One unfortunate fact of college life is that many incoming freshmen are unable to manage the academic challenges and “flunk out.” Some never bothered to show up at class, and, after a quarter of partying, they were gone. Bert had seen this in his previous years, but those students were uncommon. They were also easy to identify, since they always had a big stereo system and played it loudly all the time. Other failing students were simply unable to handle the course load, or were not academically prepared. Most subjects of which Bert knew had two tracks: one to get one’s feet wet in the subject (usually for a group requirement), and the other for more serious students, especially those who planned to major or minor in the subject. The early courses of the “serious” track were often known as “wash out” classes. Students who couldn’t pass these classes simply didn’t belong in the subject. Enough failures in the first quarter or two, and a student could be placed on academic probation, or dismissed from the university. Naturally, many incoming freshmen tried to have as easy a course load as they could manage. Such easy courses were known as “Underwater Basket Weaving.”

There were a few required classes (group requirements) that were also “wash out” classes. One was English, and the weapon used against the freshman who took it was the essay. A sad fact was and is that many graduate from high school, having taken twelve years of English, but are unable to write. Bert had graduated high school with very good English grades, and had only had to take one required English composition class. Jim would have to take two such classes, and he was not happy. Moreover, Jim had a female instructor — a Teaching Assistant or TA — one who was deeply into “Women’s Lib,” so he decided to write an essay which was the most sexist he could manage. (The concept of “Political Correctness” would not be introduced until the 1990’s, and in any case, Jim never believed in it or practiced it.) He was going to have fun with this essay.

For this purpose, he asked Bert for some ideas, which Bert happily supplied. “The Ballad of Eskimo Nell” had been fun in its day, but now Jim wanted to anger his instructor, make her blood boil, and still get an “A.” This was the result:

Click, Snap, Hum, and Smack

The clicking high heels make my eyes bug out in preparation for watching any luscious young lady who may be attached to them. My attention snaps toward the body attached to the heels. The most appreciative sound that I can croon is a hum. The following accompanying sound is generally a loud smack — the sound of my face meeting her hand. The problem here is that women have been put on a pedestal and are then neglected and unappreciated. My desire is to take women off the pedestal and to bring them down for close inspection, each and every one of them.

My favorite point of interest on the female body undulates as she walks away from me. (I’ve always been fascinated by figure eights.) A lean type, such as a ballerina is technically perfect in motion, but lacks mass. Conversely the heftiest variety lacks control and direction. Fortunately, a happy medium exists — perfected in both definition and motions. Firmly padded, and properly curved, moving, they command undivided attention as would a waving flag to a patriot. In fact, while filling tight jeans, a gently swaying pair arouses my full attention.

No matter how compelling, the posterior is not a woman’s only attraction. Viewed from the front she has others — two of them. Close inspection is unnecessary, for they stand out alone. Concerning the great presence, contrary to popular belief, size is not the only consideration. Even more important are shape and tone. When viewed properly these two considerations matter most. A precise definition of proper shape is impossible, but quoting a popular commercial, “When it’s right, you know it!” One example is Raquel Welch, conservatively estimated to have the finest pair on Earth. Firmness, or proper tone, gives shape and prevents sagging. Shape and tone so far outweigh size that padding is self-defeating. Other clothing is more important — i.e., a tee shirt is just a tee shirt… until it’s wet.

With all these attractions it is hard to imagine how the woman has been so under-appreciated. Although many reasons may be given, two reasons stand out, their clothing and their attitude.

For centuries clothing has been designed to hide woman’s charms. Lately this situation has been improved. Early this century dresses rose above the ankles for the first time and exposure has increased ever since. For the medium to slender specimen the recently developed short skirt may display her legs to great advantage. Another prime device to gain appreciation is the tight V-neck blouse. Where the former draws attention from long range, the latter is primarily effective at short range. Wet-look clothing, on the other hand, is effective at any range. The bikini (for those who can wear them well) is particularly devastating. In short, clothing should accentuate the positive.

I am not saying that the only way that a woman may be appreciated is physically. Indeed, her personality may be more attractive than any physical attribute that she may possess. It is a pity that far too many women neglect the development of a pleasant personality. Looks without personality put women on the pedestal, but clicking their high heels and revealing their charms means they’ve stepped down.

Click, Snap, Hum, and Smack.

Jim passed the course with flying colors. It turned out that his instructor had a sense of humor, after all. Moreover, he got to read his essay aloud in class. He had never been able to do that with “The Ballad of Eskimo Nell.”

(More than two decades later, Jim ran into that same instructor, by then a full professor in the Washington, DC area. She still had a copy of his essay, and she used it to teach writing to advanced students. She would have a male student read it aloud in class. She told Jim that she had never seen a man who didn’t blush as he read it, except Jim himself. She considered it one the finest essays that a student of hers had ever written.)

Copyright (c)2016, Philip Hair. All rights reserved.

I wrote this scene for Freshman fall quarter, with the intent of showing Jim as a world class athlete and Bert as a practical joker. I always liked this scene, but had to cut it for length reasons.


In early October, one evening Jim and Bert were both free of commitments. Jim was taking a jogging class, so he suggested that they go jog on the running track in the men’s gym. The men’s gym was old, very old. It had been constructed in 1927, and remained the main men’s gymnasium until the late 1970’s. There were locker rooms on the ground floor, a basketball court on the first floor, and above it, suspended from the ceiling, was a running track which was accessible from the second floor. The track was extremely short — 14.7 laps per mile, Bert had been told — and set up as an oval, with the ends steeply banked. The center of the oval was open space, looking down at the basketball court below. There was a waist-high chain-link fence on the inner edge of the track to keep runners from falling. There was also a wooden “floor” at the south end, just above the steeply banked curve of the track, where runners could stretch and warm up.

It was evening, about dusk, and the track was mostly deserted. The two of them started to jog counterclockwise (everyone jogged in the same direction), and Bert discovered very quickly that Jim was not just in better shape than Bert, but much better shape. Jim was a “natural athlete.” Bert had delivered newspapers in junior high and high school, and had taken ROTC and karate for his first two years at BGSU. He was in the best shape he had been in his life, and Jim was lapping him! Every so often Jim would pass him. The two ran for maybe twenty or thirty minutes. Then, at one point, the two were running together. Jim was jogging close to the rail in a relaxed fashion, not exerting himself. Bert was puffing away beside him, slightly behind him and to Jim’s right. Bert was pushing himself pretty hard, and he was only just keeping up. Bert knew that in just a few moments, Jim would speed up again and he’d be gone — again. The two were approaching the curve at the south end when a runner just blew past them. He was not jogging, he was sprinting. He passed them as if they were standing still, and took the banked end of the oval at what seemed to be a 45 degree angle.

Bert knew Jim, and he knew that Jim could not resist a challenge, however indirect, however veiled. Jim lengthened his stride. Bert knew that if he stretched himself to his limit, he could keep up with Jim for maybe another 10 steps. Instead, he reached forward with his left hand, and “goosed” Jim. It was a very good “goose.”

There was a sound, like none Bert had ever heard before. It was high and thin. He couldn’t tell what it was. He couldn’t tell from where it came. He couldn’t tell that it was human. Time somehow stretched, and for what seemed a long time, he was simply confused. Then, somehow, he decided that Jim had made the sound. Jim must have somehow known, he must be playing it up. But Jim was not playing it up. Jim took off as if rocket-propelled, hit the banked south end of the track and accelerated.

Bert was now slowing down, laughing. He, too, rounded the south end of the oval, and stopped just at the beginning of the straight part of the track. Jim had not slowed down. Instead he had passed the sprinter before they had reached the turn at the far end. The sprinter didn’t even reach the north end of the oval. He slowed to a walk, stopped, turned around, and looked with stunned amazement at Bert, his eyes silently asking, “What just happened?” Bert was by now laughing so hard that he fell to his knees on the track. He barely managed to drag himself up over the lip of the track up onto the warm-up area before Jim rounded the track and trampled him. Jim could not slow down for another lap. Bert lay on the warm-up area, laughing hysterically.

Two laps after being “goosed,” Jim finally slowed down and stopped. There was nothing to be said. Together they returned to their dorm room.

The next weekend, Alexander Senior and Doris Kowalski came to Bowling Green and picked up Jim and Bert, to take them home for the weekend. On the way, Bert told the story to Jim’s parents, and Alexander Senior laughed and laughed. (Jim seldom even saw his father crack a smile.) Back home, Bert presented his friend and new Christian brother to people in his congregation, Westside Christian Church, on Sunday morning. One member he sought out was Greg Burns, an Elder in the congregation and a successful lawyer, a man Bert liked and respected. Bert introduced Jim, and for fun told the running track story. Greg almost fell over laughing. Jim recognized that Bert now had a story, and that he’d trot it out every now and then, and give everyone a good laugh. Jim sighed.

Even that was not the end of it. What neither of them had realized at the time was that the sprinter was a star on the track team, an Olympic gold medalist, and was there with his coach, who was timing him. The coach found out who Jim was, and proceeded to call him each and every Saturday during each quarter for the next two years, trying to persuade him to go out for track. Jim always refused, without giving reasons. He did not want the coach to know just what it took to get him to do his very, very best.

Copyright (c)2016, Philip Hair. All rights reserved.

I started writing American Prophet in late June or early July of 2008, and published it on 26 July 2016, about eight years and a month. Originally, I gave it the working title of Prophet of God. For perhaps the first month or so I didn’t even write the novel. Instead I created characters, a time line, and did research. One of the first things I did write was the Toronto chapter, which has been substantially unchanged since then.

Each November there is a project/ competition/ challenge known as National Novel Writing Month, also known as NaNoWriMo, in which participants attempt to write a 50,000+ word novel in 30 days. Clearly I did not even come close to finishing my novel in a month. My novel is in excess of 218,000 words. The Microsoft Word document that became the novel is 416 pages. For comparison purposes, my novel is larger than any of the seven Harry Potter novels except Order or the Phoenix.

So why did it take over eight years to write and publish? There were several reasons. Firstly, I stopped writing to do research on a regular basis. I read a book on the poison gas known as Lewisite, and researched a number of historical incidents along the way. Secondly, I finished my first draft in early 2014. It was much longer than the published version and, frankly, unreadable. I spent more than two-and-a-quarter years rewriting and cutting material from the book. Thirdly, I learned how to use software to complete the book. I switched word processors a year into the novel, and learned to use Microsoft Visio to do most of the illustrations for the novel. Finally, I was employed full time during that period, and worked on the novel evenings and weekends. When I was originally thinking about the story, I considered writing it as a short story!

A very large part of the editing process was cutting the book down to size. I had to make cuts in virtually every chapter. As a result, I have a lot of stuff — fun stuff — which didn’t make the final cut. I may eventually release a “author’s cut” of the novel, but I will be including many of the deleted scenes on this website.